Similar to last year, the organizers of Impact’22, as part of this year's edition, are continuing to develop the innovative art track. The goal? To promote Polish culture on the international stage and show what a marriage of broadly understood art and the business world can look like. Special guests of this year's Impact edition, who will perform as part of the art track, include Karol Misztal, founder of Yestersen, Michał Brański, co-creator and head of strategy at Wirtualna Polska Holding, and Emilia Kina, a young generation painter whose exhibition can be admired in Milan.
The conclusions drawn from the conversations and meetings held during last year's art track clearly showed how important an element art can be in modern business and how much room for action is provided by cooperation between these seemingly distant fields.
One of the more important topics addressed within the art track during this year's edition will be the impact of the visual quality of our surroundings on well-being and the standard of daily functioning. How do hotels use art in their activities, what is good design, and does the view from a hospital window affect a patient's health? Another important topic will be the work of young artists and their presence in the art market, as well as an attempt to find answers to whether a moment of great change awaits us. Collections gathered by banks will serve as an example in the discussion about the place of art in investment thinking. There will also be summaries of the art market, both off and online.
Every edition of Impact is primarily about people. It's about invited guests who introduce listeners to the world of their field and allow them to understand it better. This is particularly important when the discussion concerns art. Each Impact edition is accompanied by cooperation with a young generation artist who prepares a special painting, which becomes part of the Impact Art Collection.
This time, we have invited Emilia Kina, a graduate of painting from the Krakow Academy of Fine Arts. Since 2015, she has been regularly creating and exhibiting, and her works have found their way into collections such as the National Museum in Gdańsk. Her paintings, in form, refer to tapestries, frozen curtains, obscuring an undefined view. The window can be treated here literally as a material frame, more of a scenographic element than a frame from reality. In her work, the artist also refers to 19th-century studio photography, where landscapes and draped curtains served as backdrops for portrait photos. In her works, the Albertian window becomes a painting in itself, showing a world obscured by the delicate material of canvas. The artist balances between abstract form and mimetic reproduction of a real situation. She often gives her works three-dimensional forms through sculptural gestures shaping the canvas. The work gains an object-like character or expands into para-scenographic installations. The artist's exhibition can currently be viewed in
Milan.
The artist's work created specifically for the spring edition of Impact will be presented in a prepared space, where our guests will be able to see it. We will also visit the artist with a camera in her Krakow studio, thereby lifting a fragment of the curtain that hides the secrets of her craft for viewers.